Thomas O’Brien: On Vintage Modern

A vintage modern piece features ideas that become layers in the DNA of a design that materializes at a later date. It’s how something of the 1920s can have echoes of eighteenth century France, which borrows from Greek or Egyptian antiquity. It’s how intriguing it is to play with that heredity in the choice of a material, the colors and the proportions of a room or a piece of furniture, when designing for the time of now. It’s how the same forms get reinvented over and over, because they work the best.

I’m interested in the ways that history adds this depth and grounding to newer things. It’s the collective memory that makes even the most chic interiors feel familiar and accessible; it’s literally the reason we are all, instinctively, born collectors. This is a continuum that I try to bring to what I design: adding the vintage—as a lineage and a classicism—to new things being made today. And this is the bridge I cross with each of my clients. Everyone needs his or her own particular connection between past and present.”

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