Interior designer Ray Booth’s work conjures comparisons: He understands the importance of silhouette like John Saladino; the precise tailoring of his rooms call to mind a Jill Sander collection; and his color sensibility inhabits the same etherial realm as a Turner seascape hanging at the Tate.

Quite the combination.

These ideas and more are evident in Ray’s masterful new book Evocative Interiors, released last month by Rizzoli New York.

With a forward by Bobby McAlpine – whose firm Ray Booth is a partner in – Evocative Interiors features images from projects Booth has completely over the course of nearly two decades.

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“Our everyday surroundings are a mark we make to claim our place on earth.  The daily experiences they evoke through the combination of color, material, furnishings, and context profoundly affect our physical and emotional well-being.” – Ray Booth

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Booth creates rooms meant for living – opulent and photogenic to be sure — but with a soul that portends an invitation to sit, relax, converse, and enjoy. These are rooms best categorized as supremely modern; they address our movement toward cleaner eclecticism and restorative spaces.

When I put this book down after a careful appraisal, I remembered the outspoken Polly Mellen in that scene from Unzipped where she’s in the back seat of a limousine with Isaac Mizrahi, describing his work as sublime but not fussy; in a wide-eyed moment she exclaims “Fussy — Finished!”

Sublime but not fussy aptly describes Ray Booth’s work as well.