“Intimacy begins in the lap of parents where we once sat, held close but also emboldened to venture out, knowing that we were backed by love. In architecture, this experience is found within alcoves, bays, a fireside inglenook, and the spaces beneath low mezzanines or beams—all sheltered spots existing adjacent to loftier ones. Without thinking about it, we are drawn to them.
“In the language of cathedrals, we are more likely to allow ourselves to be vulnerable in chapels and side aisles; a timid person who might evaporate standing alone in the middle of the nave thrives along its shadowy edges. We experience this constantly and unconsciously in restaurant booths, which are far more intimate than tables in the middle of the room. When we sit buried in a banquette, we dissolve in safety and the conversation changes.”
Mention English Neoclassical architectureand decoration in a room of serious design aficionados, and several names dominate the conversation: James Wyatt, John Soane, James Stuart and John Nash among them. But it is Robert Adam (son of William Adam, another of the period’s most revered) who is often noted both for his superlative ornamentation and for his voluminous record of published designs and drawings.
“…Electricity is exactly what successful juxtapositions produce. Whether furnishings are complementary or contrasting, their pairing generates a palpable current that evokes a desired feeling or ambience. In the same vein, rooms are called lifeless when poor juxtaposition either fails to generate a pulse or electrocutes with overenthusiasm. The late Albert Hadley was a master at juxtaposition because his interiors were said to produce a wonderful frisson—a brief shiver of excitement—for all who experienced them. It was energy at its finest.
“Igniting that spark also involves a certain degree of risk; informed chances inject a degree of freshness, and ideally a whiff of welcome imperfection. Even the most tailored interior benefits from the errant extravagance, and the most sumptuously decadent from a touch of austere rigor. For us, we find our risk taking typically involves the introduction of a bit of humor or wit, and it’s fascinating where it can lead. If you respect the medium but never take yourself too seriously, you’ll give yourself the freedom to create risky pairings that can truly break new ground and surprise you in delightful ways.”
“Instant messaging, urgent e-mails, video chats, and online streaming mean that the devices designed to bring us together are also pushing us further apart. I realized some time ago that the only way I could make clients with demanding lifestyles truly happy at home is to evolve my work to this shiftier new landscape of starts and stops. The flow I need to focus on building is the everyday flow of conversation.
Somehow, I need to find tangible ways to put emotion and connectivity into the DNA of rooms I was previously consumed with making beautiful. I had to draw people deeper than the next room. My job was now to inspire clients to express themselves and communicate in a deeper way within their walls.”
I’m thrilled to be able to share that I’ve signed on to produce and edit my second book for Rizzoli New York – Garden Design Master Class — due out in the spring of 2019.
Utilizing the format I established while creating Interior Design Master Class, the new book will feature 100 established garden and landscape designers, with each examining one specific subject. They will explore a wide range of concepts, including scale, pathways, perennials, water, evergreens, sunlight, roses, blue, stone, sculpture, and borders, to name just a few.
It’s my hope that this new volume will be every bit as successful as IDMC, filled with both instruction and inspiration for gardeners of every persuasion – from the novice to the enthusiast to the practicing professional.
And so for now, with less than 2 years until the book’s release, I should get to work!
When the banking industry collapsed in 2008, it unfortunately took my textile company with it. But here’s the thing: I hesitate to use the adjective ‘unfortunately’ because those events led me to producing and editing Interior Design Master Class, one of the most exciting and personally fulfilling experiences of my life.