(VIDEO) POLLACK’s Rachel Doriss: On Textile Construction and the Creative Process

Interior Design Master Class Rachel Doriss
A guest post by Rachel Doriss

I grew up on Cape Cod. My first official textile project was splatter painting curtains made from old sheets when I was in 3rd grade. My grandmother was a weaver in Deerfield Massachusetts. She taught me sewing, knitting, crochet, weaving, and bead weaving.

When I would visit in the summers, we would work on projects together- usually sewing new outfits. I was never satisfied with the fabric options in the store. This love of working with fabric from a young age helped me to understand that textile design is really about form in all three dimensions- not just pattern. In high school, I made my own clothes and practiced batik and dyeing fabrics…. Continue reading “(VIDEO) POLLACK’s Rachel Doriss: On Textile Construction and the Creative Process”

At Home with Dogs and Their Designers: Sharing a Stylish Life

Susanna Salk, with principal photography by Stacey Bewkes. Rizzoli 2017

Back in the day, I had 2 overlapping generations of Norfolk Terriers: a red-wheaton named Maxine, and a black-and-tan, named Bruno, Maxine’s nephew. And if you were a customer of my textile studio you likely remember them, as they went to work with me everyday. We were inseparable.

And it’s the special relationship between designer and dog – or vice-versa as Salk tongue-and-cheekedly suggests in her title — that’s highlighted in her new book from Rizzoli New York… Continue reading “At Home with Dogs and Their Designers: Sharing a Stylish Life”

(VIDEO) Navigating the New World of Design Media

Last Wednesday, the New York School of Interior Design hosted Galerie Magazine editor in chief and honorary dean of the SCAD School of Building Arts, Margaret Russell, and me for a spirited conversation about navigating the new world of design media. We discussed shelter publications, designer websites, social media (including an excellent tutorial on utilizing Instagram as a business tool), as well as interior design book publishing.

If you were unable to attend, here is a videotape of the evening provided by NYSID. It’s an invaluable opportunity to hear one of the most important minds in the design industry share her insights.
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Timothy Corrigan: On Welcoming Spaces

Interior Design Master Class Timothy Corrigan

First, you have to be sensitive to the psychology of the room. Color plays a huge role in the emotions that are evoked in the space: use color to maximize intended emotions for the area. The furniture plan and flow are also important; not enough furniture— or too much—can kill a room’s mood. Getting the proportions of the furnishings right is also essential. For example, low furniture in a room with tall ceilings can make its occupants feel diminished and unimportant.

Next, pay attention to comfort. We’ve all seen beautifully designed chairs that feel like torture devices when one sits down. When it comes to seating, ergonomics and comfort should come first. Getting scale right is also important; you don’t want the chair to be under- or overscaled. If you want statement pieces in a room, choose something other than seating.

Interior Design Master Class Timothy Corrigan
A seemingly paradoxical mix of formal architecture and casual decoration are found in this grand salon in France: deep down-filled seating, upholstered in an outdoor fabric; an antique Tabriz carpet; and objets d’art from many periods. The result is a room that feels relaxed and welcoming. Photo credit Eric Piasecki

“Then, consider practicality. Who wants to worry about the inevitable spilled glass of red wine or water ring on the antique side table? One of the most important aspects of a welcoming space is that it has been designed to really work for the way that you live. Today, with so many terrific options in terms of high-performance fabrics, you don’t have to squirm at the smallest accident.

Using marine varnish on even the finest of antiques takes the worry out of every glass or coffee cup that gets set down on a table.”

Eve Robinson: On Family

Interior Design Master Class Quotes“Just as homes can be laid out to maximize social interaction, an individual room can be designed to positively reinforce parent-child bonds. The placement and relationship of each piece of furniture to another affects how human connections are made. For instance, adding an L-shaped sectional to a family room with an ottoman in front invites everyone to gather to play games, do homework, and converse. Having an inviting, comfortable, well-lit place to read to a child fosters intimacy. Including trundle beds in children’s rooms makes it easy to have sleepovers, promoting socialization.

Interior Design Master Class Rizzoli
A colorful photograph by OlivoBarbieri hangs above a Jens Risom sofa in the center of this modern family lounge. The pair of bronze-and-glass coffee tables afford space for everything from coloring books to best sellers and the ombré curtains are made from alpaca. Photo credit: Peter Margonelli

“Contrary to what one might think, elegance and practicality are not irreconcilable for families. Throughout a home, materials can be aesthetically pleasing as well as durable.”

Anthony Baratta: On Exuberance

Interior Design Master Class

Color is, of course, the easiest way to make a bold statement. There are no bad colors, but it is a lot easier to create an exuberant interior with red than it is with beige. Nancy Lancaster’s butter yellow room at Colefax and Fowler, David Hicks’s drawing room using ten shades of red, Billy Baldwin’s sublime blue room at the Villa Fiorentina, and Mark Hampton’s chocolate brown room in a Kips Bay showhouse will always be a huge influence, because although each room is unique, they all share a clarity and sense of purpose expressed through a strong color statement.”

Interior Design Master Class
An irregularly shaped canvas by American minimalist painter Frank Stella takes pride of place in this exuberant living room. The vivid geometric rug and throw pillows are balanced by the clean lines of a pair of midcentury armchairs and the custom ottomans. Credit George Ross Photography

“Love of strong color is a personality trait, and like an MGM musical, I choose to decorate in Technicolor. There are no rules when using color to foster exuberance, but I like using a classic combination like blue and white as a jumping-off point and then adding in the spice—such as orange.”

Kips Bay Decorator Show House 2017

Kips Bay Decorator Showhouse 2017
Janice Parker’s ‘Bamboo Court’ Garden. Photo credit Alan Barry

I realize I’m not the only design enthusiast that remembers Robert Denning & Vincent Fourcade‘s maximalist approach to decoration. I loved the excess of their interiors and I was certainly not their only fan.

And as you’ll see it’s the love of ‘more-is-more’ that pervades, in a very tasteful way, this year’s Kips Bay Decorator Show House. Beginning with Richard Mishaan’s salon – the ultimate nod to Italian legend Renzo Mongiardino — the house packs a punch… Continue reading “Kips Bay Decorator Show House 2017”

Books: MR Architecture + Decor

In the opening paragraph of Walter Gropius’ Bauhaus Manifesto, the founder of the movement suggests “The ultimate aim of all visual arts is the complete building!”, further professing “Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts. Only then will their work be imbued with the architectonic spirit which it has lost as “salon art.”

David Mann clearly understands the importance of these dictates.

The 18 projects featured in his new monograph from Abrams are as varied as they are dynamic… Continue reading “Books: MR Architecture + Decor”

The New Chic: French Style from Today’s Leading Interior Designers

The title of Marie Kalt’s new book from Rizzoli New York references ‘The New Chic’, but she could just as easily have suggested ‘the radically cool’ as an alternative description. Every room in this book is sublime, especially those created for the annual design showcase AD Intériers where the participating designers are given carte blanche to create living spaces unfiltered by commissioning clients… Continue reading “The New Chic: French Style from Today’s Leading Interior Designers”

VMAD’s West Elm Headquarters

By Lisa Zeiger

When Mark Murashige and Kay Vorderwuelbecke of VM Architecture and Design (VMAD) began redesigning the Empire Stores on the docks of the East River in DUMBO for West Elm in 2013, a high water mark from Hurricane Sandy was still visible, eight feet up the brick walls of the nearly 140-year-old structure, rich with history… Continue reading “VMAD’s West Elm Headquarters”